Violets and Other Tales

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IF I HAD KNOWN! 154 CHALMETTE, 155 AT EVENTIDE, 159 THE IDLER, 166 LOVE AND THE BUTTERFLY, 168 THE BEE-MAN, 169 AMID THE ROSES, 176 PREFACE. These fugitive pieces are launched upon the tide of public opinion to sink or swim upon their merit. They will float for a while, but whether they will reach the haven of popularity depends upon their enduring qualities. Some will surely perish, many will reach some port, but time alone will tell if any shall successfully breast the ocean of thought and plant its standard upon the summit of fame. When one enters the domain of authorship, she places herself at the mercy of critics. Were she as sure of being commended by the best and most intelligent of her readers, as she is sure of being condemned by the worst and most ignorant, there would still be a thrill of pleasure in all criticism, for the satisfaction of having received the praise of the first would compensate for the harshness of the latter. Just criticism is wholesome and never wounds the sensibilities of the true author, for it saves her from the danger of an excess of pride which is the greatest foe to individual progress, while it spurs her on to loftier flights and nobler deeds. A poor writer is bad, but a poor critic is worse, therefore, unjust criticism should never ruffle the temper of its victim. The author of these pages belongs to that type of the "brave new woman who scorns to sigh," but feels that she has something to say, and says it to the best of her ability, and leaves the verdict in the hands of the public. She gives to the reader her best thoughts and leaves him to accept or reject as merit may manifest itself. No author is under contract to please her readers at all times, nor can she hope to control the sentiments of all of them at any time, therefore, the obligation is reciprocal, for the fame she receives is due to the pleasure she affords. The author of these fugitive pieces is young, just on the threshold of life, and with the daring audacity of youth makes assertions and gives decisions which she may reverse as time mellows her opinions, and the realities of life force aside the theories of youth, and prosy facts obscure the memory of that happy time when the heart overflowing with---- "The joy Of young ideas painted on the mind, In the warm glowing colors Fancy spreads On objects, not yet known, when all is new, And all is lovely." There is much in this book that is good; much that is crude; some that

Alice Moore Dunbar-Nelson

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