Violets and Other Tales

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Whose lips curled scorn. But from a nook A voice cried out, "Though he has slain That which I loved the best on earth, Yet will I tend him till he dies, I can be brave." A woman's eyes Gazed fearlessly into his own. THIRD. When all the world has grown full cold to thee, And man--proud pygmy--shrugs all scornfully, And bitter, blinding tears flow gushing forth, Because of thine own sorrows and poor plight, Then turn ye swift to nature's page, And read there passions, immeasurably far Greater than thine own in all their littleness. For nature has her sorrows and her joys, As all the piled-up mountains and low vales Will silently attest--and hang thy head In dire confusion, for having dared To moan at thine own miseries When God and nature suffer silently. THE WOMAN. The literary manager of the club arose, cleared his throat, adjusted his cravat, fixed his eyes sternly upon the young man, and in a sonorous voice, a little marred by his habitual lisp, asked: "Mr. ----, will you please tell us your opinion upon the question, whether woman's chances for matrimony are increased or decreased when she becomes man's equal as a wage earner?" The secretary adjusted her eye-glass, and held her pencil alertly poised above her book, ready to note which side Mr. ---- took. Mr. ---- fidgeted, pulled himself together with a violent jerk, and finally spoke his mind. Someone else did likewise, also someone else, then the women interposed, and jumped on the men, the men retaliated, a wordy war ensued, and the whole matter ended by nothing being decided, pro or con--generally the case in wordy discussions. Moi? Well, I sawed wood and said nothing, but all the while there was forming in my mind, no, I won't say forming, it was there already. It was this, Why should well-salaried women marry? Take the average working-woman of to-day. She works from five to ten hours a day, doing extra night work, sometimes, of course. Her work over, she goes home or to her boarding-house, as the case may be. Her meals are prepared for her, she has no household cares upon her shoulders, no troublesome dinners to prepare for a fault-finding husband, no fretful children to try her patience, no petty bread and meat economies to adjust. She has her cares, her money-troubles, her debts, and her scrimpings, it is true, but they only make her independent, instead of reducing her to a dead level of despair. Her day's work ends at the office, school, factory or store; the rest of the time is hers, undisturbed by the restless going to and fro of housewifely cares, and she can employ it in mental or social diversions. She does not incessantly rely upon the whims of a cross man to take her to such amusements as she desires. In this nineteenth century she is free to go where she pleases--provided it be in a moral atmosphere--without comment. Theatres, concerts, lectures,

Alice Moore Dunbar-Nelson

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