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Leaves of Grass is a poetry collection by the American poet Walt Whitman (1819–1892). Although the first edition was published in 1855, Whitman spent most of his professional life writing and re-writing Leaves of Grass, revising it multiple times until his death. This resulted in vastly different editions over four decades—the first, a small book of twelve poems and the last, a compilation of over 400.

Genre: Poetry
Year:
1855
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The ostent evanescent, The substance of an artist's mood or savan's studies long, Or warrior's, martyr's, hero's toils, To fashion his eidolon. Of every human life, (The units gather'd, posted, not a thought, emotion, deed, left out,) The whole or large or small summ'd, added up, In its eidolon. The old, old urge, Based on the ancient pinnacles, lo, newer, higher pinnacles, From science and the modern still impell'd, The old, old urge, eidolons. The present now and here, America's busy, teeming, intricate whirl, Of aggregate and segregate for only thence releasing, To-day's eidolons. These with the past, Of vanish'd lands, of all the reigns of kings across the sea, Old conquerors, old campaigns, old sailors' voyages, Joining eidolons. Densities, growth, facades, Strata of mountains, soils, rocks, giant trees, Far-born, far-dying, living long, to leave, Eidolons everlasting. Exalte, rapt, ecstatic, The visible but their womb of birth, Of orbic tendencies to shape and shape and shape, The mighty earth-eidolon. All space, all time, (The stars, the terrible perturbations of the suns, Swelling, collapsing, ending, serving their longer, shorter use,) Fill'd with eidolons only. The noiseless myriads, The infinite oceans where the rivers empty, The separate countless free identities, like eyesight, The true realities, eidolons. Not this the world, Nor these the universes, they the universes, Purport and end, ever the permanent life of life, Eidolons, eidolons. Beyond thy lectures learn'd professor, Beyond thy telescope or spectroscope observer keen, beyond all mathematics, Beyond the doctor's surgery, anatomy, beyond the chemist with his chemistry, The entities of entities, eidolons. Unfix'd yet fix'd, Ever shall be, ever have been and are, Sweeping the present to the infinite future, Eidolons, eidolons, eidolons. The prophet and the bard, Shall yet maintain themselves, in higher stages yet, Shall mediate to the Modern, to Democracy, interpret yet to them, God and eidolons. And thee my soul, Joys, ceaseless exercises, exaltations, Thy yearning amply fed at last, prepared to meet, Thy mates, eidolons. Thy body permanent, The body lurking there within thy body, The only purport of the form thou art, the real I myself, An image, an eidolon. Thy very songs not in thy songs, No special strains to sing, none for itself, But from the whole resulting, rising at last and floating, A round full-orb'd eidolon. For Him I Sing For him I sing, I raise the present on the past, (As some perennial tree out of its roots, the present on the past,) With time and space I him dilate and fuse the immortal laws, To make himself by them the law unto himself.
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Walt Whitman

Walter "Walt" Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality. more…

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