Pensées Page #3

								


During this time Pascal never wholly abandoned his scientific interests. Though in his religious writings he composed slowly and painfully, and revised often, in matters of mathematics his mind seemed to move with consummate natural ease and grace. Discoveries and inventions sprang from his brain without effort; among the minor devices of this later period, the first omnibus service in Paris is said to owe its origin to his inventiveness. But rapidly failing health, and absorption in the great work he had in mind, left him little time and energy during the last two years of his life.

The plan of what we call the Pensées formed itself about 1660. The completed book was to have been a carefully constructed defence of Christianity, a true Apology and a kind of Grammar of Assent, setting forth the reasons which will convince the intellect. As I have indicated before, Pascal was not a theologian, and on dogmatic theology had recourse to his spiritual advisers. Nor was he indeed a systematic philosopher. He was a man with an immense genius for science, and at the same time a natural psychologist and moralist. As he was a great literary artist, his book would have been also his own spiritual autobiography; his style, free from all diminishing idiosyncrasies, was yet very personal. Above all, he was a man of strong passions; and his intellectual passion for truth was reinforced by his passionate dissatisfaction with human life unless a spiritual explanation could be found.

We must regard the Pensées as merely the first notes for a work which he left far from completion; we have, in Sainte-Beuve's words, a tower of which the stones have been laid on each other, but not cemented, and the structure unfinished. In early years his memory had been amazingly retentive of anything that he wished to remember; and had it not been impaired by increasing illness and pain, he probably would not have been obliged to set down these notes at all. But taking the book as it is left to us, we still find that it occupies a unique place in the history of French literature and in the history of religious meditation.
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