Beauty of Form and Beauty of Mind Page #2
"Beauty of Form and Beauty of Mind" is a thought-provoking tale by celebrated Danish author Hans Christian Andersen. It explores the comparison and contrast of physical beauty and inner beauty, emphasising the importance of the latter. The story centers around a beautiful narcissistic prince and a sweet-spirited but average-looking poet and their experiences with love and empathy. Andersen delicately portrays how outer beauty can be deceiving, and how meaningful conversations and a pure heart possess a beauty of their own.
Genre: Children
Genre: Children
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"Whole cities have been destroyed," he replied; "for instance, Herculaneum and Pompeii." "Oh, the poor people! And you saw all that with your own eyes?" "No; I did not see any of the eruptions which are represented in those pictures; but I will show you a sketch of my own, which represents an eruption I once saw." He placed a pencil sketch on the table; and mamma, who had been over-powered with the appearance of the colored plates, threw a glance at the pale drawing and cried in astonishment, "What, did you see it throw up white fire?" For a moment, Alfred's respect for Kaela's mamma underwent a sudden shock, and lessened considerably; but, dazzled by the light which surrounded Kaela, he soon found it quite natural that the old lady should have no eye for color. After all, it was of very little consequence; for Kaela's mamma had the best of all possessions; namely, Kaela herself. Alfred and Kaela were betrothed, which was a very natural result; and the betrothal was announced in the newspaper of the little town. Mama purchased thirty copies of the paper, that she might cut out the paragraph and send it to friends and acquaintances. The betrothed pair were very happy, and the mother was happy too. She said it seemed like connecting herself with Thorwalsden. "You are a true successor of Thorwalsden," she said to Alfred; and it seemed to him as if, in this instance, mamma had said a clever thing. Kaela was silent; but her eyes shone, her lips smiled, every movement was graceful,--in fact, she was beautiful; that cannot be repeated too often. Alfred decided to take a bust of Kaela as well as of her mother. They sat to him accordingly, and saw how he moulded and formed the soft clay with his fingers. "I suppose it is only on our account that you perform this common-place work yourself, instead of leaving it to your servant to do all that sticking together." "It is really necessary that I should mould the clay myself," he replied. "Ah, yes, you are always so polite," said mamma, with a smile; and Kaela silently pressed his hand, all soiled as it was with the clay. Then he unfolded to them both the beauties of Nature, in all her works; he pointed out to them how, in the scale of creation, inanimate matter was inferior to animate nature; the plant above the mineral, the animal above the plant, and man above them all. He strove to show them how the beauty of the mind could be displayed in the outward form, and that it was the sculptor's task to seize upon that beauty of expression, and produce it in his works. Kaela stood silent, but nodded in approbation of what he said, while mamma-in-law made the following confession:-- "It is difficult to follow you; but I go hobbling along after you with my thoughts, though what you say makes my head whirl round and round. Still I contrive to lay hold on some of it." Kaela's beauty had a firm hold on Alfred; it filled his soul, and held a mastery over him. Beauty beamed from Kaela's every feature,
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"Beauty of Form and Beauty of Mind Books." Literature.com. STANDS4 LLC, 2024. Web. 21 May 2024. <https://www.literature.com/book/beauty_of_form_and_beauty_of_mind_2141>.
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