The Philanthropist and the Happy Cat book cover

The Philanthropist and the Happy Cat

"The Philanthropist and the Happy Cat" is a short story by Hector Hugh Munro, known by his pen name Saki. The narrative revolves around a wealthy philanthropist who takes great pride in his charitable endeavors. However, his self-congratulatory nature is challenged by the seemingly simple yet profound happiness of a cat. Saki's signature wit and keen observations satirize human nature, highlighting the contrast between genuine happiness and the performative aspects of altruism. Through clever dialogue and a whimsical premise, the story invites readers to reflect on the true essence of generosity and contentment.


Year:
1914
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Submitted by davidb on February 09, 2025


								
Jocantha Bessbury was in the mood to be serenely and graciously happy. Her world was a pleasant place, and it was wearing one of its pleasantest aspects. Gregory had managed to get home for a hurried lunch and a smoke afterwards in the little snuggery; the lunch had been a good one, and there was just time to do justice to the coffee and cigarettes. Both were excellent in their way, and Gregory was, in his way, an excellent husband. Jocantha rather suspected herself of making him a very charming wife, and more than suspected herself of having a first-rate dressmaker. “I don’t suppose a more thoroughly contented personality is to be found in all Chelsea,” observed Jocantha in allusion to herself; “except perhaps Attab,” she continued, glancing towards the large tabby-marked cat that lay in considerable ease in a corner of the divan. “He lies there, purring and dreaming, shifting his limbs now and then in an ecstasy of cushioned comfort. He seems the incarnation of everything soft and silky and velvety, without a sharp edge in his composition, a dreamer whose philosophy is sleep and let sleep; and then, as evening draws on, he goes out into the garden with a red glint in his eyes and slays a drowsy sparrow.” “As every pair of sparrows hatches out ten or more young ones in the year, while their food supply remains stationary, it is just as well that the Attabs of the community should have that idea of how to pass an amusing afternoon,” said Gregory. Having delivered himself of this sage comment he lit another cigarette, bade Jocantha a playfully affectionate good-bye, and departed into the outer world. “Remember, dinner’s a wee bit earlier to-night, as we’re going to the Haymarket,” she called after him. Left to herself, Jocantha continued the process of looking at her life with placid, introspective eyes. If she had not everything she wanted in this world, at least she was very well pleased with what she had got. She was very well pleased, for instance, with the snuggery, which contrived somehow to be cosy and dainty and expensive all at once. The porcelain was rare and beautiful, the Chinese enamels took on wonderful tints in the firelight, the rugs and hangings led the eye through sumptuous harmonies of colouring. It was a room in which one might have suitably entertained an ambassador or an archbishop, but it was also a room in which one could cut out pictures for a scrap-book without feeling that one was scandalising the deities of the place with one’s litter. And as with the snuggery, so with the rest of the house, and as with the house, so with the other departments of Jocantha’s life; she really had good reason for being one of the most contented women in Chelsea. From being in a mood of simmering satisfaction with her lot she passed to the phase of being generously commiserating for those thousands around her whose lives and circumstances were dull, cheap, pleasureless, and empty. Work girls, shop assistants and so forth, the class that have neither the happy-go-lucky freedom of the poor nor the leisured freedom of the rich, came specially within the range of her sympathy. It was sad to think that there were young people who, after a long day’s work, had to sit alone in chill, dreary bedrooms because they could not afford the price of a cup of coffee and a sandwich in a restaurant, still less a shilling for a theatre gallery. Jocantha’s mind was still dwelling on this theme when she started forth on an afternoon campaign of desultory shopping; it would be rather a comforting thing, she told herself, if she could do something, on the spur of the moment, to bring a gleam of pleasure and interest into the life of even one or two wistful-hearted, empty-pocketed workers; it would add a good deal to her sense of enjoyment at the theatre that night. She would get two upper circle tickets for a popular play, make her way into some cheap tea-shop, and present the tickets to the first couple of interesting work girls with whom she could casually drop into conversation. She could explain matters by saying that she was unable to use the tickets herself and did not want them to be wasted, and, on the other hand, did not want the trouble of sending them back. On further reflection she decided that it might be better to get only one ticket and give it to some lonely-looking girl sitting eating her frugal meal by herself; the girl might scrape acquaintance with her next-seat neighbour at the theatre and lay the foundations of a lasting friendship. With the Fairy Godmother impulse strong upon her, Jocantha marched into a ticket agency and selected with immense care an upper circle seat for the “Yellow Peacock,” a play that was attracting a considerable amount of discussion and criticism. Then she went forth in search of a tea-shop and philanthropic adventure, at about the same time that Attab sauntered into the garden with a mind attuned to sparrow stalking. In a corner of an A.B.C. shop she found an unoccupied table, whereat she promptly installed herself, impelled by the fact that at the next table was sitting a young girl, rather plain of feature, with tired, listless eyes, and a general air of uncomplaining forlornness. Her dress was of poor material, but aimed at being in the fashion, her hair was pretty, and her complexion bad; she was finishing a modest meal of tea and scone, and she was not very different in her way from thousands of other girls who were finishing, or beginning, or continuing their teas in London tea-shops at that exact moment. The odds were enormously in favour of the supposition that she had never seen the “Yellow Peacock”; obviously she supplied excellent material for Jocantha’s first experiment in haphazard benefaction. Jocantha ordered some tea and a muffin, and then turned a friendly scrutiny on her neighbour with a view to catching her eye. At that precise moment the girl’s face lit up with sudden pleasure, her eyes sparkled, a flush came into her cheeks, and she looked almost pretty. A young man, whom she greeted with an affectionate “Hullo, Bertie,” came up to her table and took his seat in a chair facing her. Jocantha looked hard at the new-comer; he was in appearance a few years younger than herself, very much better looking than Gregory, rather better looking, in fact, than any of the young men of her set. She guessed him to be a well-mannered young clerk in some wholesale warehouse, existing and amusing himself as best he might on a tiny salary, and commanding a holiday of about two weeks in the year. He was aware, of course, of his good looks, but with the shy self-consciousness of the Anglo-Saxon, not the blatant complacency of the Latin or Semite. He was obviously on terms of friendly intimacy with the girl he was talking to, probably they were drifting towards a formal engagement. Jocantha pictured the boy’s home, in a rather narrow circle, with a tiresome mother who always wanted to know how and where he spent his evenings. He would exchange that
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Hector Hugh Munro

Hector Hugh Munro, commonly known by his pen name Saki, was a British author and playwright born on December 18, 1870, in Akyab, Burma (now Sittwe, Myanmar). He is renowned for his witty, satirical short stories that often feature themes of social commentary and the absurdities of Edwardian society. Saki's writing is characterized by its sharp humor and clever twist endings. Some of his most famous works include "The Open Window," "The Interlopers," and "Tobermory." His life was tragically cut short when he was killed in action during World War I on November 14, 1916. Saki remains a significant figure in English literature, celebrated for his unique style and keen observation of human nature. more…

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