The Understanding of Sister Sara book cover

The Understanding of Sister Sara

"The Understanding of Sister Sara" is a novella by Lucy Maud Montgomery that delves into themes of love, perception, and the complexities of human relationships. The story revolves around the experiences of Sister Sara, exploring her inner life and her bonds with those around her. Through Montgomery's signature lyrical prose, the narrative unfolds the nuances of sisterly affection, societal expectations, and personal growth, ultimately highlighting the importance of understanding and connection in one's life journey.


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Submitted by davidb on February 10, 2025


								
June First. I began this journal last New Year's--wrote two entries in it and then forgot all about it. I came across it today in a rummage--Sara insists on my cleaning things out thoroughly every once in so long--and I'm going to keep it up. I feel the need of a confidant of some kind, even if it is only an inanimate journal. I have no other. And I cannot talk my thoughts over with Sara--she is so unsympathetic. Sara is a dear good soul and I love her as much as she will let me. I am also very grateful to her. She brought me up when our mother died. No doubt she had a hard time of it, poor dear, for I never was easily brought up, perversely preferring to come up in my own way. But Sara did her duty unflinchingly and--well, it's not for me to say that the result does her credit. But it really does, considering the material she had to work with. I'm a bundle of faults as it is, but I tremble to think what I would have been if there had been no Sara. Yes, I love Sara, and I'm grateful to her. But she doesn't understand me in the least. Perhaps it is because she is so much older than I am, but it doesn't seem to me that Sara could really ever have been young. She laughs at things I consider the most sacred and calls me a romantic girl, in a tone of humorous toleration. I am chilled and thrown back on myself, and the dreams and confidences I am bubbling over with have no outlet. Sara couldn't understand--she is so practical. When I go to her with some beautiful thought I have found in a book or poem she is quite likely to say, "Yes, yes, but I noticed this morning that the braid was loose on your skirt, Beatrice. Better go and sew it on before you forget again. 'A stitch in time saves nine.'" When I come home from a concert or lecture, yearning to talk over the divine music or the wonderful new ideas with her, she will say, "Yes, yes, but are you sure you didn't get your feet damp? Better go and change your stockings, my dear. 'An ounce of prevention is worth a pound of cure.'" So I have given up trying to talk things over with Sara. This old journal will be better. Last night Sara and I went to Mrs. Trent's musicale. I had to sing and I had the loveliest new gown for the occasion. At first Sara thought my old blue dress would do. She said we must economize this summer and told me I was entirely too extravagant in the matter of clothes. I cried about it after I went to bed. Sara looked at me very sharply the next morning without saying anything. In the afternoon she went uptown and bought some lovely pale yellow silk organdie. She made it up herself--Sara is a genius at dressmaking--and it was the prettiest gown at the musicale. Sara wore her old grey silk made over. Sara doesn't care anything about dress, but then she is forty. Walter Shirley was at the Trents'. The Shirleys are a new family here; they moved to Atwater two months ago. Walter is the oldest son and has been at college in Marlboro all winter so that nobody here knew him until he came home a fortnight ago. He is very handsome and distinguished-looking and everybody says he is so clever. He plays the violin just beautifully and has such a melting, sympathetic voice and the loveliest deep, dark, inscrutable eyes. I asked Sara when we came home if she didn't think he was splendid. "He'd be a nice boy if he wasn't rather conceited," said Sara. After that it was impossible to say anything more about Mr. Shirley. I am glad he is going to be in Atwater all summer. We have so few really nice young men here; they go away just as soon as they grow up and those who stay are just the muffs. I wonder if I shall see Mr. Shirley soon again. June Thirtieth. It does not seem possible that it is only a month since my last entry. It seems more like a year--a delightful year. I can't believe that I am the same Beatrice Mason who wrote then. And I am not, either. She was just a simple little girl, knowing nothing but romantic dreams. I feel that I am very much changed. Life seems so grand and high and beautiful. I want to be a true noble woman. Only such a woman could be worthy of--of--a fine, noble man. But when I tried to say something like this to Sara she replied calmly: "My dear child, the average woman is quite good enough for the average man. If she can cook his meals decently and keep his buttons sewed on and doesn't nag him he will think that life is a pretty comfortable affair. And that reminds me, I saw holes in your black lace stockings yesterday. Better go and darn them at once. 'Procrastination is the thief of time.'" Sara cannot understand. Blanche Lawrence was married yesterday to Ted Martin. I thought it the most solemn and sacred thing I had ever listened to--the marriage ceremony, I mean. I had never thought much about it before. I don't see how Blanche could care anything for Ted--he is so stout and dumpy; with shallow blue eyes and a little pale moustache. I must say I do not like fair men. But there is no doubt that he and Blanche love each other devotedly and that fact sufficed to make the service very beautiful to me--those two people pledging each other to go through life together, meeting its storm and sunshine hand in hand, thinking joy the sweeter because they shared it, finding sorrow sacred because it came to them both. When Sara and I walked home from the church Sara said, "Well, considering the chances she has had, Blanche Lawrence hasn't done so well after all." "Oh, Sara," I cried, "she has married the man she loves and who loves her. What better is there to do? I thought it beautiful." "They should have waited another year at least," said Sara severely. "Ted Martin has only been practising law for a year, and he had nothing to begin with. He can't have made enough in one year in Atwater to justify him in setting up housekeeping. I think a man ought to be ashamed of himself to take a girl from a good home to an uncertainty like that." "Not if she loved him and was willing to share the uncertainty," I said softly. "Love won't pay the butcher's bill," said Sara with a sniff, "and landlords have an unfeeling preference for money over affection. Besides, Blanche is a mere child, far too young to be burdened with the responsibilities of life." Blanche is twenty--two years older than I am. But Sara talks as if I were a mere infant. July Thirtieth. Oh, I am so happy! I wonder if there is another girl in the world as happy as I am tonight. No, of course there cannot be, because there is only one Walter! Walter and I are engaged. It happened last night when we were sitting out in the moonlight under the silver maple on the lawn. I cannot write down what he said--the words are too sacred and beautiful to be kept anywhere but in my own heart forever and ever as long as I live.
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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