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The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend. Wives and Daughters was first published serially in the Cornhill Magazine from August, 1864, to January, 1866. Elizabeth Gaskell died suddenly in November, 1865. She had completed all but the last chapter, and in that sense the book, which many consider her masterpiece, is unfinished. The editor of the Cornhill Magazine Frederick Greenwood, appended his comments about Gaskell's intentions for the story's ending.

Genre: Novel
Year:
1864
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o'clock, coffee was brought round; and this was a signal of the approaching carriage that was to take them back to their own homes; whither they returned with the happy consciousness of a well-spent day, but with some fatigue at the long-continued exertion of behaving their best, and talking on stilts for so many hours. Nor were Lady Cumnor and her daughters free from something of the same self-approbation, and something, too, of the same fatigue; the fatigue that always follows on conscious efforts to behave as will best please the society you are in. For the first time in her life, Molly Gibson was to be included among the guests at the Towers. She was much too young to be a visitor at the school, so it was not on that account that she was to go; but it had so happened that one day when Lord Cumnor was on a "pottering" expedition, he had met Mr. Gibson, the doctor of the neighbourhood, coming out of the farm-house my lord was entering; and having some small question to ask the surgeon (Lord Cumnor seldom passed any one of his acquaintance without asking a question of some sort--not always attending to the answer; it was his mode of conversation), he accompanied Mr. Gibson to the out-building, to a ring in the wall of which the surgeon's horse was fastened. Molly was there too, sitting square and quiet on her rough little pony, waiting for her father. Her grave eyes opened large and wide at the close neighbourhood and evident advance of "the earl;" for to her little imagination the grey-haired, red-faced, somewhat clumsy man, was a cross between an arch-angel and a king. "Your daughter, eh, Gibson?--nice little girl, how old? Pony wants grooming though," patting it as he talked. "What's your name, my dear? He's sadly behindhand with his rent, as I was saying, but if he's really ill, I must see after Sheepshanks, who is a hardish man of business. What's his complaint? You'll come to our school-scrimmage on Thursday, little girl--what's-your-name? Mind you send her, or bring her, Gibson; and just give a word to your groom, for I'm sure that pony wasn't singed last year, now, was he? Don't forget Thursday, little girl--what's-your-name?--it's a promise between us, is it not?" And off the earl trotted, attracted by the sight of the farmer's eldest son on the other side of the yard. Mr. Gibson mounted, and he and Molly rode off. They did not speak for some time. Then she said, "May I go, papa?" in rather an anxious little tone of voice. "Where, my dear?" said he, wakening up out of his own professional thoughts. "To the Towers--on Thursday, you know. That gentleman" (she was shy of calling him by his title), "asked me." "Would you like it, my dear? It has always seemed to me rather a tiresome piece of gaiety--rather a tiring day, I mean--beginning so early--and the heat, and all that." "Oh, papa!" said Molly, reproachfully. "You'd like to go then, would you?" "Yes; if I may!--He asked me, you know. Don't you think I may?--he
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Elizabeth Gaskell

Elizabeth Cleghorn Gaskell, often referred to as Mrs Gaskell, was an English novelist, biographer and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor. Her work is of interest to social historians as well as readers of literature. more…

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