Old Crow

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Produced by David Clarke, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) OLD CROW BY ALICE BROWN New York THE MACMILLAN COMPANY 1922 All rights reserved PRINTED IN THE UNITED STATES OF AMERICA. Copyright, 1922, By THE MACMILLAN COMPANY. Set up and electrotyped. Published October, 1922. OLD CROW I John Raven sat in the library of his shabby, yet dignified Boston house, waiting for Richard Powell, his nephew, whom he had summoned for an intimate talk. He was sitting by the fire making a pretense of reading the evening paper, but really he was prefiguring the coming interview, dreading it a good deal, and chiefly for the reason that there was an argument to be presented, and for this he was insufficiently prepared, and must be, however long it might be delayed. When he telephoned Dick to come he was at last armed with a bold conviction of being able to proffer a certain case to him (his own case, in fact); but, as these last moments went on, he weakened sensibly in any hope he might have had that Dick would be able to meet him from any illuminating viewpoint of his own. This was mid-winter, two years after the end of the War, where Dick and his uncle had worked in the Ambulance Corps to the limit of their capacities--Dick, no soldier, because of what seemed to him a diabolic eccentricity of imperfect sight, and Raven, blocked by what he felt to be the negligible disability of age. John Raven had, with the beginning of the War--which, as early as 1914 he had decided to be his war--made up his mind that although he was over forty and of a business training with inconsiderable excursions into literature, he wanted nothing so much as to get into the thick of it and the rough of it, so far as a man might who was past his physical best, and now he was back again, more fit than when he went, but at this present moment breathless at the realization that he had been up against life as it actually is, and that he found it a brute business and hated it. And this was not so much the horror of life in the field where, however the human heart cried out against the argument of desecrated flesh, the spirit could call mightily upon God, challenging Him to grant the chrism of fulfilment in return for this wild sacrifice of blood, as the horror of life when peace was exercising her rights in unbelievable ways. This he was going to explain to Dick, if he could manage it, while he set forth also his need of retreating from the active scene and leaving some of his formerly accepted duties on Dick's shoulders. As he sat there, gaunt, long, lean man, with a thin brown face and the eagle's look, a fineness of aquiline curve that made him significant in a dominant type,

Alice Brown

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