Counterparts book cover

Counterparts

"Counterparts" is a short story from James Joyce's collection "Dubliners", rather than a standalone book. It vividly explores the life of Farrington, a legal clerk in Dublin, who struggles with alcohol addiction, job dissatisfaction, and volatile relationships at home. Despair and frustration lead him from pub to pub, spiraling deeper into self-destruction. This poignant narrative offers an insight into early 20th-century Irish society, exploring themes of routine, desperation, and violence.

Genre: Children
Year:
1914
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The bell rang furiously and, when Miss Parker went to the tube, a furious voice called out in a piercing North of Ireland accent: “Send Farrington here!” Miss Parker returned to her machine, saying to a man who was writing at a desk: “Mr Alleyne wants you upstairs.” The man mutteredBlast him!” under his breath and pushed back his chair to stand up. When he stood up he was tall and of great bulk. He had a hanging face, dark wine-coloured, with fair eyebrows and moustache: his eyes bulged forward slightly and the whites of them were dirty. He lifted up the counter and, passing by the clients, went out of the office with a heavy step. He went heavily upstairs until he came to the second landing, where a door bore a brass plate with the inscription Mr Alleyne. Here he halted, puffing with labour and vexation, and knocked. The shrill voice cried: “Come in!” The man entered Mr Alleyne’s room. Simultaneously Mr Alleyne, a little man wearing gold-rimmed glasses on a clean-shaven face, shot his head up over a pile of documents. The head itself was so pink and hairless it seemed like a large egg reposing on the papers. Mr Alleyne did not lose a moment: “Farrington? What is the meaning of this? Why have I always to complain of you? May I ask you why you haven’t made a copy of that contract between Bodley and Kirwan? I told you it must be ready by four o’clock.” “But Mr Shelley said, sir——” “Mr Shelley said, sir.... Kindly attend to what I say and not to what Mr Shelley says, sir. You have always some excuse or another for shirking work. Let me tell you that if the contract is not copied before this evening I’ll lay the matter before Mr Crosbie.... Do you hear me now?” “Yes, sir.” “Do you hear me now?... Ay and another little matter! I might as well be talking to the wall as talking to you. Understand once for all that you get a half an hour for your lunch and not an hour and a half. How many courses do you want, I’d like to know.... Do you mind me, now?” “Yes, sir.” Mr Alleyne bent his head again upon his pile of papers. The man stared fixedly at the polished skull which directed the affairs of Crosbie & Alleyne, gauging its fragility. A spasm of rage gripped his throat for a few moments and then passed, leaving after it a sharp sensation of thirst. The man recognised the sensation and felt that he must have a good night’s drinking. The middle of the month was passed and, if he could get the copy done in time, Mr Alleyne might give him an order on the cashier. He stood still, gazing fixedly at the head upon the pile of papers. Suddenly Mr Alleyne began to upset all the papers, searching for something. Then, as if he had been unaware of the man’s presence till that moment, he shot up his head again, saying: “Eh? Are you going to stand there all day? Upon my word, Farrington, you take things easy!” “I was waiting to see....” “Very good, you needn’t wait to see. Go downstairs and do your work.” The man walked heavily towards the door and, as he went out of the room, he heard Mr Alleyne cry after him that if the contract was not copied by evening Mr Crosbie would hear of the matter. He returned to his desk in the lower office and counted the sheets which remained to be copied. He took up his pen and dipped it in the ink but he continued to stare stupidly at the last words he had written: In no case shall the said Bernard Bodley be.... The evening was falling and in a few minutes they would be lighting the gas: then he could write. He felt that he must slake the thirst in his throat. He stood up from his desk and, lifting the counter as before, passed out of the office. As he was passing out the chief clerk looked at him inquiringly. “It’s all right, Mr Shelley,” said the man, pointing with his finger to indicate the objective of his journey. The chief clerk glanced at the hat-rack but, seeing the row complete, offered no remark. As soon as he was on the landing the man pulled a shepherd’s plaid cap out of his pocket, put it on his head and ran quickly down the rickety stairs. From the street door he walked on furtively on the inner side of the path towards the corner and all at once dived into a doorway. He was now safe in the dark snug of O’Neill’s shop, and filling up the little window that looked into the bar with his inflamed face, the colour of dark wine or dark meat, he called out: “Here, Pat, give us a g.p., like a good fellow.” The curate brought him a glass of plain porter. The man drank it at a gulp and asked for a caraway seed. He put his penny on the counter and, leaving the curate to grope for it in the gloom, retreated out of the snug as furtively as he had entered it. Darkness, accompanied by a thick fog, was gaining upon the dusk of February and the lamps in Eustace Street had been lit. The man went up by the houses until he reached the door of the office, wondering whether he could finish his copy in time. On the stairs a moist pungent odour of perfumes saluted his nose: evidently Miss Delacour had come while he was out in O’Neill’s. He crammed his cap back again into his pocket and re-entered the office, assuming an air of absent-mindedness. “Mr Alleyne has been calling for you,” said the chief clerk severely. “Where were you?” The man glanced at the two clients who were standing at the counter as if to intimate that their presence prevented him from answering. As the clients were both male the chief clerk allowed himself a laugh. “I know that game,” he said. “Five times in one day is a little bit.... Well, you better look sharp and get a copy of our correspondence in the Delacour case for Mr Alleyne.” This address in the presence of the public, his run upstairs and the porter he had gulped down so hastily confused the man and, as he sat down at his desk to get what was required, he realised how hopeless was the task of finishing his copy of the contract before half past five. The dark damp night was coming and he longed to spend it in the bars,
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James Joyce

James Augustine Aloysius Joyce was an Irish novelist, short story writer, poet, teacher, and literary critic. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. more…

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