Ole the Tower-Keeper book cover

Ole the Tower-Keeper

"Ole the Tower-Keeper" is a philosophical and poignant journey penned by Hans Christian Andersen. It paints a vivid portrait of Ole, a tower keeper, who spends his nights ruminating on deep existential concepts such as life, death, faith, hope, and the human condition. Set against the backdrop of fairy tales, the narrative is a collection of anecdotes, each representing a night of the week. Clergymen, artists, and genies participate in dialogues with Ole, each providing their unique take on existence and the cosmos.

Genre: Children
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"In the world it's always going up and down; and now I can't go up any higher!" So said Ole the tower-keeper. "Most people have to try both the ups and the downs; and, rightly considered, we all get to be watchmen at last, and look down upon life from a height." Such was the speech of Ole, my friend, the old tower-keeper, a strange, talkative old fellow, who seemed to speak out everything that came into his head, and who for all that had many a serious thought deep in his heart. Yes, he was the child of respectable people, and there were even some who said that he was the son of a privy councillor, or that he might have been. He had studied, too, and had been assistant teacher and deputy clerk; but of what service was all that to him? In those days he lived in the clerk's house, and was to have everything in the house--to be at free quarters, as the saying is; but he was still, so to speak, a fine young gentleman. He wanted to have his boots cleaned with patent blacking, and the clerk could only afford ordinary grease; and upon that point they split. One spoke of stinginess, the other of vanity, and the blacking became the black cause of enmity between them, and at last they parted. This is what he demanded of the world in general, namely, patent blacking, and he got nothing but grease. Accordingly, he at last drew back from all men, and became a hermit; but the church tower is the only place in a great city where hermitage, office and bread can be found together. So he betook himself up thither, and smoked his pipe as he made his solitary rounds. He looked upward and downward, and had his own thoughts, and told in his own way of what he read in books and in himself. I often lent him books--good books; and you may know by the company he keeps. He loved neither the English governess novels nor the French ones, which he called a mixture of empty wind and raisin-stalks: he wanted biographies, and descriptions of the wonders of, the world. I visited him at least once a year, generally directly after New Year's day, and then he always spoke of this and that which the change of the year had put into his head. I will tell the story of three of these visits, and will reproduce his own words whenever I can remember them. FIRST VISIT Among the books which I had lately lent Ole, was one which had greatly rejoiced and occupied him. It was a geological book, containing an account of the boulders. "Yes, they're rare old fellows, those boulders!" he said; "and to think that we should pass them without noticing them! And over the street pavement, the paving stones, those fragments of the oldest remains of antiquity, one walks without ever thinking about them. I have done the very thing myself. But now I look respectfully at every paving-stone. Many thanks for the book! It has filled me with thought, and has made me long to read more on the subject. The romance of the earth is, after all, the most wonderful of all romances. It's a pity one can't read the first volume of it, because it is written in a language that we don't understand. One must read in the different strata, in the pebble-stones, for each separate period. Yes, it is a romance, a very wonderful romance, and we all have our place in it. We grope and ferret about, and yet remain where we are; but the ball keeps turning, without emptying the ocean over us; the clod on which we move about, holds, and does not let us through. And then it's a story that has been acting for thousands upon thousands of years and is still going on. My best thanks for the book about the boulders. Those are fellows indeed! They could tell us something worth hearing, if they only knew how to talk. It's really a pleasure now and then to become a mere nothing, especially when a man is as highly placed as I am. And then to think that we all, even with patent lacquer, are nothing more than insects of a moment on that ant-hill the earth, though we may be insects with stars and garters, places and offices! One feels quite a novice beside these venerable million-year-old boulders. On last New Year's eve I was reading the book, and had lost myself in it so completely, that I forgot my usual New Year's diversion, namely, the wild hunt to Amack. Ah, you don't know what that is! "The journey of the witches on broomsticks is well enough known--that journey is taken on St. John's eve, to the Brocken; but we have a wild journey, also which is national and modern, and that is the journey to Amack on the night of the New Year. All indifferent poets and poetesses, musicians, newspaper writers, and artistic notabilities,--I mean those who are no good,--ride in the New Year's night through the air to Amack. They sit backwards on their painting brushes or quill pens, for steel pens won't bear them--they're too stiff. As I told you, I see that every New Year's night, and could mention the majority of the riders by name, but I should not like to draw their enmity upon myself, for they don't like people to talk about their ride to Amack on quill pens. I've a kind of niece, who is a fishwife, and who, as she tells me, supplies three respectable newspapers with the terms of abuse and vituperation they use, and she has herself been at Amack as an invited guest; but she was carried out thither, for she does not own a quill pen, nor can she ride. She has told me all about it. Half of what she said is not true, but the other half gives us information enough. When she was out there, the festivities began with a song; each of the guests had written his own song, and each one sang his own song, for he thought that the best, and it was all one, all the same melody. Then those came marching up, in little bands, who are only busy with their mouths. There were ringing bells that rang alternately; and then came the little drummers that beat their tattoo in the family circle; and acquaintance was made with those who write without putting their names, which here means as much as using grease instead of patent
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Hans Christian Andersen

Hans Christian Andersen was a Danish author best known for his fairy tales, which have been translated into more than 125 languages. Born in 1805, Andersen's notable works include "The Little Mermaid," "The Ugly Duckling," "The Emperor's New Clothes," and "Thumbelina." His stories have become a part of global children's literature and continue to inspire movies, ballets, and plays. Before his death in 1875, Andersen also wrote plays, novels, and poems. more…

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