Simonides Rescued by the Gods book cover

Simonides Rescued by the Gods

In Simonides Rescued by the Gods, Jean de La Fontaine presents an intriguing narrative about Simonides, a renowned poet from ancient Greece. The story revolves around a miraculous incident where Simonides is saved by the gods. After writing an ode honoring a pair of famous athletes, but also mentioning Castor and Pollux, Simonides is not fully compensated by Scopas, the patron who commissioned the poem. However, at a feast held by Scopas, Simonides is pulled away just before the roof collapses, killing Scopas and his guests; a divine intervention made possible due to his previous ode to Castor and Pollux. The tale examines themes of appreciation for the arts, divine justice, and the enduring power of poetry.

Genre: Fable
Year:
1668
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Three sorts of persons can't he praised too much: The Gods, the King, and her on whom we doat. So said Malherbe, and well he said, for such Are maxims wise, and worthy of all note. Praise is beguiling, and disliked by none: A lady's favour it has often won. Let's see whate'en the gods have ere this done To those who praised them. Once, the eulogy Of a rough athlete was in verse essayed. Simonides, the ice well broken, made A plunge into a swamp of flattery. The athlete's parents were poor folk unknown; The man mere lump of muscle and of bone-- No merit but his thews, A barren subject for the muse. The poet praised his hero all he could, Then threw him by, as others would. Castor and Pollux bringing on the stage, He points out their example to such men, And to all strugglers in whatever age; Enumerates the places where they fought, And why they vanished from our mortal ken. In fact, two-thirds of all his song was fraught With praise of them, page after page. A Talent had the athlete guaranteed, But when he read he grudged the meed, And gave a third: frank was his jest,-- "Castor and Pollux pay the rest; Celestial pair! they'll see you righted,-- Still I will feast you with the best; Sup with me, you will be delighted; The guests are all select, you'll see, My parents, and friends loved by me; Be thou, too, of the company." Simonides consents, partly, perhaps, in fear To lose, besides his due, the paltry praise. He goes--they revel and discuss the cheer; A merry night prepares for jovial days. A servant enters, tells him at the door Two men would see him, and without delay. He leaves the table, not a bit the more Do jaws and fingers cease their greedy play. These two men were the Gemini he'd praised. They thanked him for the homage he had paid; Then, for reward, told him the while he stayed The doom'd house would be rased, And fall about the ears Of the big boxer and his peers. The prophecy came true--yes, every tittle; Snap goes a pillar, thin and brittle. The roof comes toppling down, and crashes The feast--the cups, the flagons smashes. Cupbearers are included in the fall; Nor is that all: To make the vengeance for the bard complete, The athlete's legs are broken too. A beam snapped underneath his feet, While half the guests exclaim, "Lord help us! we are lame." Fame, with her trumpet, heralds the affair; Men cry, "A miracle!" and everywhere They give twice over, without scoff or sneer, To poet by the gods held dear. No one of gentle birth but paid him well, Of their ancestors' deeds to nobly tell. Let me return unto my text: it pays The gods and kings to freely praise; Melpomene, moreover, sometimes traffic makes Of the ingenious trouble that she takes. Our art deserves respect, and thus The great do honour to themselves who honour us. Olympus and Parnassus once, you see, Were friends, and liked each other's company.
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Jean de La Fontaine

Jean de La Fontaine was a renowned French fabulist and one of the most famous poets during the French classical period. He was born on July 8, 1621, and died on April 13, 1695. Known for his literary style, he is best known for his "Fables", which are considered classics of French literature. His works were marked by his sophisticated style and moral substance, and his fables provided a scathing critique of French society during his time. more…

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