The Man and His Image
"The Man and his Image" is a philosophical book by Jean de La Fontaine, which uses the allegorical narrative of a man who falls in love with his own reflection to explore themes of self-obsession, vanity, and the illusions of the self. The book combines elements of satire and Aesopian moral fable, placing emphasis on self-awareness and self-deception's peril.
FOR M. THE DUKE DE LA ROCHEFOUCAULD. A man who had no rivals in the love He bore himself, thought that he won the bell From all the world, and hated every glass That truths less palatable tried to tell. Living contented in the error, Of lying mirrors he'd a terror. Officious Fate, determined on a cure, Raised up, where'er he turned his eyes, Those silent counsellors that ladies prize. Mirrors old and mirrors newer; Mirrors in inns and mirrors in shops; Mirrors in pockets of all the fops; Mirrors in every lady's zone. What could our poor Narcissus do? He goes and hides him all alone In woods that one can scarce get through. No more the lying mirrors come, But past his new-found savage home A pure and limpid brook runs fair.-- He looks. His ancient foe is there! His angry eyes stare at the stream, He tries to fancy it a dream. Resolves to fly the odious place, and shun The image; yet, so fair the brook, he cannot run. My meaning is not hard to see; No one is from this failing free. The man who loved himself is just the Soul, The mirrors are the follies of all others. (Mirrors are faithful painters on the whole;) And you know well as I do, brothers, that the brook Is the wise "Maxim-book."[1] [1] Rochefoucauld's Maxims are the most extraordinary dissections of human selfishness ever made.
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